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Thursday, November 16, 2006

WTC Pyramid: Part 2

(Click on image to enlarge). The World Trade Centre complex and its layout as compared with the Masonic first degree tracing board and the pyramids of Giza.

The three felled buildings of 9/11 are imposed over the three pillars of Masonry and the pyramids of Giza, reflecting a new discovery about the subtle encoding of symbols invoked by the 9/11 mega-ritual.

Tired of reading, hearing and watching stuff about the World Trade Centre disaster? I know I am. I want to exorcise the event from my mind so that I can just let go and get on with a life more centered on the present. Yet I am drawn again and again into the debate because I feel we as a whole are nowhere near understanding what the hell happened that day. My primary concern with 9/11 is the occult and mystic symbols employed and encoded in its execution and how they relate to the possibility of a ritualistic aspect at play. From a synchronistic standpoint I want to see how portrayals and references to the incident in pop-culture interact with metaphysical interpretations of 9/11's meaning. Secondary is the question which seems to fascinate most, "Who did it?" My interest in this area of investigation goes as far as trying to determine how much occult and mystical intent can be assigned to the perpetrators and what measure may be put down to the amazing interconnectedness of all things. The debate about government involvement in the tragedy raged inside me, like many others, for about 3 hours and then that internal dialogue ended when common sense took over. Of course there was government complicity! If you are continuing this strange debate with yourself still, I can recommend only sitting quietly and taking up a pen and pad. Look around suspiciously (making sure you have turned off your telescreen!) and write franticly over and over: "Down with Big Brother! Down with Big Brother!" Thusly, you will hopefully have regained your fu*%ing senses and we may continue some serious (but fun!) inquiry into the matter...

A few weeks ago, on a hunch, I was trying to find a snug fit for the WTC1, 2 and 7 complexes layout and that of the 3 major stars of Orion (Orion’s belt). Orion’s belt has a distinctive arrangement of three stars in alignment the third smaller one, slightly out of sync with the brighter two. This alignment has been connected to the pyramids by Robert Bauval and Graham Hancock. I noticed that the layout for the three buildings looked very similar to Orion with the two bigger buildings mimicking the two brightest stars at Giza but the smaller 3rd star (WTC 7) being out of sync to the wrong side. A match if you consider them mirror images, but alas, not such a tantalizing connection as I had originally hoped, so I dropped it. Imagine my delight while reading "Eden in Egypt," by Ralph Ellis, to find that he connects the three pillars on the first degree Masonic tracing board with the three largest pyramids at Giza. He goes further, claiming that the images and symbols on the tracing board are actual representations of the original layout of Giza. The Temple of Solomon is speculated to be originally modeled after the pyramids as well. This revelation flows out of the equally fascinating chapter, The Tower of Babel, dedicated to dealing with the un-masking of the tower as originally none other than the pyramids of Giza themselves. To reiterate, Solomon’s Temple could be modeled after the tower of Babel, which in turn was originally the pyramid complex at Giza. Hence, Solomon’s Temple is a representation of the Giza monuments, dig?

I have connected the WTC ritual in the past to the three pillars of masonry (and the Cabalistic tree on another level), the Temple of Solomon (specifically WTC1 & 2 as the two pillars Jachin and Boaz, and their destruction in the unveiling of the holiest of holies or Isis) and the Tower of Babel. Now I would like to connect the three buildings destroyed on 9/11 to the pyramids of Giza, which is only a logical progression, having learned the tower of Babel and the Temple of Solomon were originally modeled after and remain veiled references to the pyramids themselves! My original idea of connecting the WTC to Orion's belt seemed slightly fanciful (pending further investigation) but the connection between the three felled buildings of WTC1, 2 and 7 and the pyramids of Giza looks promising indeed.

When we look at a first degree tracing board we see that the three pillars, just like the three towers and three major pyramids at Giza, are of differing sizes, two larger and nearly but not exactly equal and one much smaller.

For instance, this is why the tracing board portrays the three pillars as all being of different heights, with two larger pillars in the foreground and a much smaller one behind. This is not simply a matter of perspective, as the two foreground pillars are placed at exactly the same depth within the picture, but are given slightly different heights; while a much smaller pillar lies behind. Yet this depiction exactly reflects the reality at Giza, where two major pyramids are nearly but not quite of the same height, while the third is much smaller."

"Eden in Egypt," p. 165, by Ralph Ellis

Viewed from the top the connection is not apparent. In profile, disco! Let’s compare this observation about the relative sizes of the pillars of the Masonic tracing board with the three buildings destroyed on 9/11, using Wikipedia as reference guide.

The Twin Towers

Each of the WTC towers had 110 stories. 1 WTC (the North Tower, which featured a massive 360 foot high TV antenna added in 1978) stood 1,368 feet (417 m) high [6], and 2 WTC (the South Tower, which contained the observation deck) was 1,362 feet (415 m) high [6]. The length and breadth of the towers were 208 feet (63.4 m) x 208 feet (63.4 m). Although only Tower 1 featured an antenna, the structure of each building was designed to carry a broadcast mast.

When completed in 1972, 1 WTC became the tallest building on Earth, unseating the Empire State Building after a 40 year reign. 2 WTC became the second tallest building in the world when completed in 1973. The difference in height between the two towers was because of a Port Authority request to have two floors, the 43rd and the 67th, in 1 WTC raised, the lower of the taller floors being a cafeteria for PANY workers. 2 WTC did not need these facilities, so it remained 1,362 feet.

We can see clearly that WTC 1 was the taller of the two buildings, even more so if we include the antenna and that the buildings were nearly but not quite the same height.

Lets compare WTC 7:
"The original structure had 47 floors[2] was 570 feet (174 m) [2] in height."

The similarities to the Masonic first degree tracing board, its three pillars and the destroyed World Trade Centre buildings is uncanny. If we consider this to be a valid comparison and Ralph Ellis to be correct about the first degree tracing board as a graphic representation of Giza, then a connection between the pyramids and the WTC is justly mandated.

For more info on Jesus as a veiled pyramid see "WTC Pyramid: Part1" or try:

With this amazing possibility in mind, the veiled Jesus pyramid in "The Last Supper" painting by Leonardo da Vinci and its discovery through contemplation of the "WTC" movie poster becomes all the more tantalizing. Added to this, we witness a firefighter experiencing a vision of Jesus in the same film. If Jesus was a pharaoh descended from Akhenaton he would obviously be connected to the most sacred sight in Egypt, Giza and its Pyramids.

Through realization that the World Trade Centre ritual directly invokes the Giza plateau, the constant synchronistic appearance of Akhenaton (and Egypt in general) and the stargate in this area of research begins to slip into focus. The pyramids of Giza are arguably the most mysterious and sacred structures on our planet and their import in the mystical and occult traditions cannot be over stressed. It seems intuitively fitting that the most pivotal human cultural event in recent memory, the 9/11 event, would invoke these ancient and as yet not fully understood monuments.

Let’s have a look at the WTC and pyramids synchromysticly and see if there are any synch-echoes in the synchro-web that confirm the connection between the two subjects.

Here we have Millhouse as Moses (Akhenaton) with the pyramid capstone on his head from the wonderfully synch riddled "Bible Stories" "Simpsons" episode. The levitated capstone invokes the 'Illuminati' dollar bill pyramid symbol in our minds. We should note also that the biblical Mount Sinai is believed by researchers like Ralph Ellis to be yet again one of the major pyramids at Giza, meaning that Moses (Akhenaton) would have communicated and received the law from god on the top of a Giza pyramid. Does this biblical narrative veil a contact or stargate (cosmic consciousness) ritual? The same nature of ritual I have been following on this blog as connected to the World Trade Center (Pyramid) and Pentagon (Sirius) ritual...? The mind boggles.

We see Bart standing at a Giza pyramid.

Later in the same episode we see Bart as King David climbing the Tower of Babel (pyramid) and slaying the giant Goliath who falls from the structure, much like King Kong. King Kong is a character I have connected to Thoth/Hermes through the Egyptian Baboon (as seen on Aleister Crowley's Magus Tarot card) and the alleged Tower builder Nimrod (who resonates with Hermes).

Thoth can be seen in the lower right hand corner.

Now things get weird. In the image above we see Homer as Solomon (another alleged Hyksos descended Pharaoh) presiding over a case involving Jesus and a Checker Taxi (famous yellow American cab) driver. As if the image of Jesus inside Solomon’s temple, which we have learnt is modeled after Giza, isn't crazy enough, the universe decides to throw a curve ball by introducing this fantastic synch...

A yellow cab drives up to one of the Towers with Snake running up to meet it, past the flaming wreckage of a plane. Hold on for a second, what was that! Yes indeed friends, you heard right. Let's take a closer look because what's encoded here in "Escape from New York" could bake your noodle.

The President's jet (above) flies toward the N.Y. skyline. Soon we will see it crash into a high rise building. In this frame it is aiming straight for the Twin Towers.

Later in the film Snake Plissken flies a second plane towards the Towers. Sound familiar? The plane lands on the roof of the tower and is eventually pushed over, causing the wreckage we saw Snake running through, towards the Yellow cab. Remember that we saw the Yellow cab driver being sued by Jesus ("Simpsons") in Solomon's Temple then again outside the World Trade Centre. Continue to bear in mind that the Temple of Solomon and the WTC buildings destroyed in the 9/11 rituals invoke the pyramids of Giza.

The voice over that accompanies this shot from "Escape from N.Y." goes: "He's approaching the World Trade Centre," in reference to Snake (Kurt Russel). Notice please, that this tracking device has the WTC in the middle of a bull's eye. As mentioned in this blog in the past and by researcher William Henry, the bull's eye is the two dimensional representation of the three dimensional stargate phenomena.

To read more about the stargate phenomena and its symbolism try:

The bull's eye can be seen in the middle of the WTC plaza! This bull's eye had a fountain (remember that stargates and H2O go well together and can also be called water-doors) and a sculpture nicknamed "The Sphere" at its centre.

It was meant to symbolize world peace through world trade, and was placed at the center of a ring of fountains and other decorative touches designed by trade center architect Minosoru Yamasaki to mimic the Grand Mosque of Mecca, in which The Sphere stood at the place of the Kaaba. It was set to rotate once every 24 hours, and its base became a popular lunch spot for workers in the trade center on days with good weather.

"The Sphere" is a sculpture by Fritz Koenig originally titled "Great Spherical Caryatid."

A caryatid (also spelt Karyatid), is a sculpted female figure serving as an architectural support taking the place of a column or a pillar supporting an entablature on her head.

The male counterpart of a caryatid is referred to as a
telemon (plural telemones) or Atlas (plural, atlantes) – the name refers to the legend of Atlas, who bore the sphere of the heavens on his shoulders. Such figures were used on a monumental scale, notably in the Temple of Olympian Zeus in Agrigentoa>, Sicily.

Given the artist's original name referred to the sculpture as a Caryatid and the spherical design it seems obvious that the intention of the sculptor was to portray a stylized version of Atlas carrying the world on his shoulders. Atlas was also the name of the son of Poseidon and King of Atlantis, according to Plato, the source of the name Atlantis.

Rockefeller Centre in New York also sports a giant Atlas sculpture.

The WTC plaza sculpture invoking Atlas helps solidify the claims of the Twin Towers as symbolic mythical pillars. Atlas himself is both pillars according to legend. Purseus turned Atlas into a mountain with the head of Medusa. Then Hercules split the mountain in half, forming the Twin Pillars or Straight of Gibraltar. In other stories the pillars are from Atlantis (named after Atlas) inscribed by Thoth with great knowledge. The possibility that these legends point towards the Twin Peaks of Giza seams more and more likely everyday.

More info on the Pillars of Hercules:

This Wikipedia entry also states that the pillars are considered gates or portals, adding weight to the claim of 9/11 as a stargate event.
"The pillars are also mentioned at some places as portals, or gates to different locations on Earth."

The Wikipedia article about "The Sphere" states plainly that, "The Sphere stood at the place of the Kaaba". The Kaaba contains the holy relic, the Black Stone. It is said to have been placed there by Abraham, who I suspect to have been an Egyptian Pharaoh. Ralph Ellis writes in "Jesus: Last of the Pharaohs" that the sacred stone of Mecca might be the original Benben of Egypt. (Jesus: Last of the Pharaohs pgs. 287-288)

Other Muslims are more willing to believe that the Stone itself has some supernatural powers. They believe that it fell from the sky during the time of Adam and Eve.

In the previous post, "WTC Pyramid: Part1," I researched the possibility of Adam and Eve finding their origins in ancient Egyptian sources, Adam being Akhenaton himself. With this in mind, the Black Stone of the Kaaba or Benben and its secrets could easily be connected to Hyksos Pharaoh's Abraham, passed down to future generations like Akhenaton and Jesus.

If this were the case the secrets and legends surrounding the Benben stone - the Ka'ba - would have been known by the ruling elite of the Hyksos. They would be know by Abraham, Joseph, Akhenaton and Moses, and finally by Jesus himself, and so the secret of the sacred stone would have been clearly understood by the ancient Judiac priesthood in Jerusalem. In this case is it any coincidence that the mystical sect of Judaism is know as the Kabbalah, a word which combines Ka'ba and Allah, meaning 'cube' and 'god'. Ralph Ellis, "Jesus Last of the Pharaohs," p. 187

What is the Benben stone? Wikipedia gives us this answer.

Benben, in Egyptian mythology, or more specifically, in the Ogdoad, is the mound that arose from the primordial waters, Nu, that had upon it Atum, sitting. It was said to have turned into a small pyramid, located in Annu, which was the place Atum was said to dwell within.
The Benben stone, named after this, was a sacred stone in the solar temple of Heliopolis. It is thought to have been the prototype for later obelisks, and the capstones of the great pyramids were based on its design.

Concerning the shape of the Black Stone contained at the Kaaba, Manly P. Hall writes on p. 623 of "The Secret Teachings of All Ages," "This black stone, oval in shape and about seven inches in diameter was broken in the seventh century and is now held together by a silver mounting."

We now know that in the middle of the World Trade Centre plaza stood a spherical sculpture in the bull's eye of concentric circles within a fountain (the mound that arose from the primordial waters, Nu, that had upon it Atum, sitting) as viewed from the air. This sculpture was intended to invoke the Kaaba at Mecca and was modeled after Atlas. Considering the ellipsoid shape of the sacred Black Stone at Mecca and the spherical sculpture itself the distinct possibility arises that the piece also was intended to or in a synchronistic manner reflects, the Sacred Black stone inside the Kaaba. I doubt this is a connection that would have gone unnoticed by the architects if they had, as is claimed, built the plaza as a reflection of Mecca and placed the sculpture in the exulted position which would be held by the Kaaba itself. This stone might be the original Benben from Heliopolis. Thus the following mind bending statement can be put forward, "At the centre of the buildings that were to collapsed on 9/11 stood a monument to the Benben stone!"

The Benben stone is considered a possible precursor of the obelisk and the pyramid. Under this assumption, the connection between the WTC complex and the Giza plateau is confirmed. I would go so far as to speculate the layout of the plaza, as a mirror of the Kaaba at Mecca, indicates that the intent of the fountain and "The Sphere" sculpture was for religious and ritualistic reasons rather then artistic or aesthetic considerations.

The reason for these pyramids being physically visible during the first exodus is given in the book Tempest, where it was explained that some of this exodus story, especially the wanderings in the wilderness, represented rituals at Giza. The 'wanderings' were actually the origins of the processional rituals that are still performed at Mecca during the Hajj. "Eden in Egypt," Ralph Ellis, p. 166

Ralph Ellis confirms, in the piece quoted above, a connection between the rituals of Mecca and the pyramids of Giza. "The Sphere" sculpture stands in for the Kaaba and the pyramids at the World Trade Centre complex.

Did this setup interact with the 9/11 disaster in a ritualistic manner connected, as a have already proposed, to the opening of a stargate?

Ben Fairhall's great Blog and Rosslyn post has much relevent info like Mecca-related movie syncs (and more worth investigating):

Let’s shift gears from left brain rational investigation to the right brain metaphysical research of synchro-mysticism. Kurt Russell is the first human to enter the stargate in the film by the same name. This stargate was found right at the foot of the pyramids at Giza and opens into the belly of another pyramid on a distant alien planet in another galaxy.

Can we deny that it's not bizarre that we see him again as Snake Plissken in "Escape from N.Y." flying towards the WTC on a plane and later in the same film heading towards the towers located at the center of a bull's eye? "Snakes on a Plane," a strangely titled Samuel L. Jackson film with a thinly veiled caduceus on its poster and an event from "Escape from N.Y." are both connected to the WTC. This seems far beyond the realm of mundane happenstance.

For more Kurt Russell synchs, including the "Snakes on a Plane"/"Escape from N.Y." one try:

"World Trade Center" star Nicholas Cage can be easily tied to pyramids by simply looking at the cover poster of his Freemason themed "National Treasure". Not just any pyramid mind you, the 'super sigil' one dollar bill "Illuminati" pyramid.

Some interesting claims have been leveled at this image of the world’s most recognizable currency notes. Though few are as bold and daring and therefore as wonderful as the claims made by the dudes related to these sights:

These fine folks call the dollar bill no less than a talisman designed by Aleister Crowley-influenced forces to facilitate and bring about the new aeon. The bill itself, in this view, has been designed for consciousness change on a societal level and is being charged by our use of it everyday! If we fold the note we find all kinds of wonderful syncs that will stretch our credibility and credulity. Great then. I think you should try to find something to challenge your comfort zone and belief system daily to avoid becoming static or rutted. Hopefully my little blog can help in this kind of activity.

In that vane, let’s think for a second again about that weird rotating giant bronze sculpture at ground zero, "The Sphere". Have we ever seen such a thing in the movies, my favorite place to look for validation for novel ideas?

That's the same name of a horrible movie with "Snakes on a Plane's" Samuel L. Jackson. In the film, the sphere in question is a giant bronze alien artifact from space.

Considering some of the claims leveled at the Black Stone of Mecca and the Benben, this synchronicity seems pretty close to what is believed about the actual oval stone that I believe "The Sphere" sculpture is invoking. (Could the Oval office be related to the shape of this holy stone? Just a thought.)

Secular historians point to the history of meteorite worship, in pre-Islamic Arabia, and say it is likely that the Stone is a meteorite or possibly impact glass, from the meteorite impact crater at Wabar, about 1100 km from Mecca.[5]. There is no way to test this hypothesis without removing and examining the Stone, which would not be permitted by its guardians.

The Wikipedia article above tells us that one theory about the Black Stone describes it as a space rock and Manly P. Hall explains ("Secret Teachings," p. 627) that it might have been given to Abraham by an angel. Could an alien (angels and aliens interchange in my world view) have given Pharaoh Abraham this rock that sits in a giant cube where millions gather every year to circle it in some giant ritual. No doubt some believe this kind of thing.

One more claim could be made synchro-mysticly about "The Sphere". That’s the alien rock-inspired sculpture, not the alien artifact-inspired movie of the same name, dig? After the 9/11 ritual invoking the pyramids of Giza, Solomon’s Temple and the Babel tower and their flaming demise, "The Sphere" was resurrected like a phoenix egg from the ashes. Just like the Black Rock inside the Kaaba, the sculpture, which symbolizes the Mecca stone (Benben?) has been destroyed and reassembled.

If the Tower of Babel is a veiled reference to pyramids this new Brad Pitt movie title might as well read "Pyramid" instead of "Babel". Can we connect Brad Pitt to pyramids in a way that doesn't seem like I am trying too hard to make things fit? How about his present partner running up a giant pyramid complete with Illuminati-style levitating missing capstone? No joke, in "Tomb Raider" we see just that.

Miss Jolie opening a time vortex.

Brad Pitt's partner running up the side of an Illuminati pyramid.

"The Passion of the Christ" was the previous aberration Mel Gibson threatened us with. We will have to wait and see if this new piece "Apacalypto" treats the Mayan culture with less innuendo and self-interest. The trailers look cool, mind you. "WTC Pyramid: Part 1" showed how Jesus in the "Last Supper" becomes a pyramid that connects to the 9/11 tragedy. Interesting then, if we reflect on how Mel's most recent films have Jesus and the pyramids as central themes.

Many "Simpson’s" syncs were discussed in "Part: 1" connecting Adam and Eve to Egypt. We saw earlier in this post how "Simpson’s" continue to resonate the Bible-as-veiled-Egyptian-history theme, specifically highlighting Jesus as connected to the WTC and the Tower of Babel as the pyramids. With this in mind and including Mel Gibson's "Apocalypto" in the mix we could add another "Simpson’s" episode relevant to the investigation.

Homer talking to a Coyote, voiced by Johnny Cash, on top of a South American-type pyramid.

Homer with arms outstretched on the apex of a pyramid after taking psychedelic hot peppers in "The Mysterious Voyage of Our Homer." Johnny Cash was played by Joaquin Phoenix in "Walk the Line". Phoenix has been involved with contact and crop circles right alongside Mel Gibson in "Signs."

More "Signs" syncs:

To conclude:
We have included the pyramids, the Pillars of Hercules and the Benben stone as symbols involved in the 9/11 ritual. I have tried to use the rather unconventional technique of using pop-culture synchronicities (which I sometimes call synchro-mysticism) to help justify my claims, a method that I am sure helps alienate and delight in equal measures. Hopefully, the results this investigative tool yield will outweigh the natural skepticism (to validity of the application of such a non-rational way of research) some will undoubtedly harbor towards it.

Does this meticulous choice of symbolism and archetypes look like the work of fanatical ultra lucky terrorists? The only explanation that could even half consolidate the extremely subtle freemasonic and ritualistic aspects of 9/11 with the terrorist scenario was put forward by Graham Hancock and Robert Bauval in "Talisman". At the end of the book they take note of the symbolic nature of 9/11 and unfortunately interpret (with all respect, they are master scholars) this as the Muslim extremist trying to send an anti-Masonic message to America. I for one believe the message to be far more subtle and way beyond anything possibly masterminded by fanatics and extremists. I do believe the 9/11 ritual has done amazing things for consciousness and woken up millions to more subtle levels of reality. Yet I cannot, as a person who tries to follow the ideals of pacifism, love and humility, in any way condone such a mega-ritual involving the murder of thousands. If these are the tactics the enlightened and supposedly Illuminated in the secret societies are following to bring about planetary consciousness change, we should all take issue. Perhaps that is the point...

Some much needed and overdue Thanks.

Ben Fairhall's newest post, "Series of Dreams" is a lovely piece which includes insights into synchro-mysticisms mechanics and makes light of the theory in just the right way. Please check it out.
Thanks Ben!

Greg from "Occult of Personality" did a piece on my work and I never thanked him on the blog. A little late, but here's the link if you're interested.
Thanks Greg!

Thursday, November 02, 2006

Pharaoh Jesus and the 9/11 Stargate. (WTC Pyramid: Part 1)

(Click on image to enlarge)

This image sees the silhouette of the World Trade Center forming themselves out of two trees and the crucified Pharaoh Jesus, “The Light,” suspended between them. Superimposed over this image we see the ten Sephiroth of the Cabalistic Tree of Life, Jesus, and the Twin Pillars of the WTC becoming the three pillars of the Tree, also invoking the Garden of Eden (Aten).

I've been looking into how Moses is represented in pop culture in my recent posts. My reason for doing this is because the biblical narrative of my current belief system understands the Bible as a book of pharaohs. To justify this remark I direct you to the fantastic work of Michael Tsarion:
Or try Ralph Ellis' very enlightening book, "Jesus: Last of the Pharaohs."

If the Moses Exodus event can be seen as related to the Egyptian Hyksos Dynasty, culminating in Akhenaton's infamous and controversial reign, how about other biblical characters? If we can find other biblical figures like Moses, (Akhenaton and Thutmoses) who are actually historical Egyptian figures and have modern veiled counterparts, then perhaps we can take these modern versions as they are represented in our culture, look at how they are inter-connected in the synchromystical universe and compare our findings with what occultists and mystics have been hinting towards about reality for... well, nearly forever!

Please read my previous post if you need to familiarise yourself with this material. It contained an overview to the subjects explored here and a lot of links to previous relevant posts.

Finding esoteric knowledge with pop culture synchronicities is what I have been trying to do with the "Moses as Akhenaton" synchronicities over the last few posts, in which much reason to suspect ancient Egyptian alien contact or other stargate related phenomena was found. I also found many echoes and ripples in the interconnected synchro-web, leading to personal confirmation about the survival of Akhenaton's legacy in the "Atonist cult" extent in the secret society networks of today, given visible expression in the 9/11 mega-ritual.

The most obvious Pharaoh I have not yet researched with my new found pop culture synchromystic filtering mindset is the one and only, ever controversial, Jesus. So let's take a little look at Jesus and see what light we can glean from such an activity...

Willem Dafoe plays Jesus in Martin Scorsese's, "The Last Temptation of Christ". Dafoe has been mentioned in these pages recently as the Green Goblin in "Spider-Man" and another villain in the 2005 "XXX" film.
For "Spider-Man" syncs:
For "XXX" syncs:

Madonna has been featured here before and I would like to make a connection with interesting similarity to what is speculated in some circles about the Holy Grail.
For more Madonna syncs:
The "Da Vinci Code" book/film has made the idea of Mary Magdalene as Jesus' wife and the Holy Grail herself (and her royal bloodline) very popular.
Madonna is the Roman Catholic name for Mary, mother of Jesus.

Ralph Ellis points out how other sneaky art dudes 'in the know' like Michelangelo have hidden information about the 'royal secret' right in the open, even inside the Vatican City's St. Peter's Basilica. We have to wonder if artists like Leonardo da Vinci and Michelangelo were able to fool the top religious authorities into allowing heretical monuments inside their most holy of spaces, or whether the higher initiates of the church were hip to this fact and welcomed these veiled artifacts. I bet you can guess what I believe...

The sculpture in question depicted is the "Pieta," a statue of Jesus and his mother Mary.

The issue Ellis takes with this piece is the extremely young-looking representation of the Madonna. Jesus is shown recently deceased yet the foxy young Mary looks much more like his Momma than his Mommy, dig? I think this interpretation of the piece is quite sound as Michelangelo shows little regard for hiding his secret knowledge very well as we have recently seen in my previous post highlighting his Moses statue, complete with Hyksos Pharaoh Aries' rams horns!

In this instance, the Madonna is interchangeable with Mary Magdalene, the wife and lover of Jesus. Could we say Madonna the singer is a reflection of Mary Magdalene?
Crazy cool then, if we remember, if we can bear to, how Madonna and Willem Dafoe have sex in the film, "Body Of Evidence".

Madonna and Jesus (Dafoe in "Last Temptation of Christ") having sex, brought to visual reality for all to see in this 1993 film. Thanks Hollywood!

The grail is a central element of the "Da Vinci Code" film by Ron Howard. A few things could be said about the career of Ron Howard, relevant to this investigation. He made the Atlantis and alien-themed film, "Cocoon," mentioned in the previous post, and was a child star in the show, "Happy Days". In one episode, Robin Williams, as Mork the alien, tries to abduct Richie Cunningham (Ron Howard) and take him to his home planet.

Some suspect an alien DNA connection with the Grail bloodlines (children of Jesus and Mary). For a fantastic article containing sober (to my mind) Merovingian commentary, try Ben Fairhall's, "Rosslyn: Bewteen Two Worlds" article:

My take on the alien theme at the moment goes like this: The Grail Bloodlines originated out of the initiated Pharaoh and priestly class of Ancient Egypt, who had secret and sacred knowledge. This 'secret' information, probably relating to the activation of the chakra pillar, DNA feedback, Kundalini serpent energy, etc, could lead to contact or stargate scenarios (Cosmic Consciousness), giving rise to talk of aliens, genetic tampering, gods, etc. Not that all of that would be very far off the mark mind you...

I don't like to give scenarios that disempower the individual or society at large much credit. Ideas like a group or family having "special" DNA or godlike heritage seem like control memes, perhaps even premeditatedly so. I prefer to think the ability to contact the 'gods' (or the the god inside) or become like gods are the provenance of every one who should happen to choose such a role.

In my interconnected synchro-mystic world view, if we can find more pop culture "sync echoes" connecting the Grail and Jesus to aliens, that might go some way to laying groundwork for a 'Royal Secret' involving contact or stargates (cosmic consciousness). We have already connectedRon Howard to Atlantis and alien abduction, let's see if we can find more.

Robin William, (the alien from "Happy Days" and later, "Mork and Mindy") is seen looking for the Grail in Terry Gilliam's, "The Fisher King". The film co-stars Jeff Bridges, who was an alien himself in John Carpenter's, "Starman". "The Fisher King," (another name for Jesus of Nazareth) shows us then, two aliens questing for the Holy Grail, from a particular perspective, that is.

"Da Vinci Code" sees Tom Hanks and Ian McKellen also hunting for the Grail.

Ian Mckellan inside a vortex on top of the Liberty (Isis) statue in New York (X-Men).

Hugh Jackman as Wolverine, about to jump into the vortex, on top of the Isis Statue in New York, as the mutant (DNA altered) Wolverine.

Ian Mckellan seems to be strange attractor as he is featured often on this blog, fighting Hugh Jackman on top of Isis/Liberty in "X-Men" and protecting the ring in "The Lord of the Rings". Tom Hanks could be significant because of his alien spaceman friend, Buzz Lightyear, in the "Toy Story" films and his mermaid girlfriend in again, Ron Howard's "Splash".

Simply amazing. Above we see the "Splash" movie posters depicting the Twin Towers (Jachin and Boaz) and the mermaid wearing a Liberty/Isis T-shirt. In the film, the mermaid makes her first public appearance at the foot of the same Isis statue.

Mermaids and fish folk connect to the Nephilim/Anunnaki and even Merovingian themes.

The reptilians, at any rate, do merit a brief mention by Brian Allan, in connection with the legendary line of Frankish kings known as the Merovingians. It will be recalled that the mother of their founder Merovee (or Meroveus) was believed to have been raped by the Quinotaur: a mythical sea-bull. Readers of my article, The Horsham Key will know that a similar creature can be found on Horsham's Old Town Hall; though, in that instance, in a double-tailed form which recalls the melusine. To Melusine, in her non-fictional incarnation as Melisande, the mother of Fulk V, Count of Anjou and daughter of Baldwin II, is attributed uniting the Merovingian house with the line of Anjou; and thus to the Plantagenets who would produce several English monarchs. Both stories share an identical theme: of legendary sea-creatures giving rise to powerful bloodlines.

Quoted from Ben Fairhall's way cool blog and the previously mentioned Rosslyn post:

I would feel negligent in my duties if I didn't include the following images for you to draw your own conclusions:

To see a good article about the Starbucks logo evolution click here:

In the above image we see Thor, Poseidon and Isis in the 2002 game "Age of Mythology". Note Poseidons mer-folk like tail and keep in mind that Plato said that Poseidon's son, Atlas, was the original origin of the name Atlantis.

Above is a still from "The Simpsons" episode "Homer, bad man". Here we see Homer doing a bit from Disney's "Little Mermaid" lampooniong Ariel (a mermaid), King Triton's (Poseidon) daughter who lives in an Atlantean underwater city. Poseidon is also a character from Homer's "The Illiad" and is represented in "O Brother, Where Art Thou?". This will become more relevant in a moment.

Kenneth Colley plays Jesus in "Life of Brian," a Monty Python (Terry Gilliam again) movie that is itself a spoof of the biblical Jesus story. The movie has Brian, (a character based on Jesus) taken aboard a spaceship, lending us another Jesus alien connection.

Kenneth Colley is most famous for playing Admiral Piett (an alien, as every character in "Star Wars" is, if you stop and think about it) in "Star Wars" 2 and 3. In "Jedi" we see his Super Star Destroyer spaceship take a nosedive into the second Death Star.

Jupiter's (this is back in real life mind) moons Mimas and Iapetus both have been accused of looking very similar to George Lucas' Death Star. As these films were made before the photos of these moons were ever seen, this becomes a most interesting sync that has been used in speculation of ancient alien artifacts existing in our solar system.

Freeman Perspective speculates on Death Star.

Jay Weidner Radio Orbit interview with Death Star speculation.

Can we say then...Jesus (Colley, in Life of Brian) the alien (Colley, in Star Wars) crashes his spaceship into the alien artifact moon? Is this the universe's way of highlighting the Grail (Pharaohnic Bloodline) connection to space and/or alien artifacts? I would say yes, but I write this zany blog. What do you think?

Monty Python animator and generally spectacular film director, Terry Gilliam, is proving to be a Holy Grail strange attractor when we consider the following. He directed "The Fisher King," was much involved in "Life of Brian," and even co-directed "Monty Python and the Holy Grail!" Not surprising then, when we dig a little, we find his other passion includes making movies about time travel. Time travel is another possible function of a fully working stargate technology. Gilliam's films, "Time Bandits," and, "12 Monkeys," contain the time travel/gate/vortex theme as central plot point.

With this in mind, it is interesting to note within the "NASA occult stargate speculation perspective" I have been following, how Bruce Willis (the "12 Monkey's" star) could be shown to fit in this intricate sync-web.

For more occult NASA Stargate syncs:

In his career, Willis has flown in NASA space shuttles (Armageddon) and tried his hand at alchemy (using da Vinci's crystal machine that turns lead into gold in "Hudson Hawk"). Here then is a man who we may describe as "the occult stargate alchemist who flies space shuttles in his spare time". Let's make this clear, in case you're confused (don't worry if so, I certainly am). This is achieved by combining the significant occult and mystic elements present in "Hudson Hawk", "Armageddon" and "Twelve Monkeys" into one narrative. Am I taking too much creative liberty in this process for it to contain any significant relevance? I imagine you would have to answer that one internally in relation to your own belief system. I'm having fun here, I hope you are too..
Please note how well "Hudson Hawk" fits in here considering our earlier Grail bloodline "Da Vinci Code" syncs.

It would be very helpful to this speculation about Jesus as a Hyksos descended Pharaoh if we could connect him back to Moses or Akhenaton in some way. Then, as if hearing my prayers, when we watch the 1959 "Ben-Hur," which tag line reads, "A tale of Christ," we see this interaction.

Heston, who has played both an astronaut ("Planet of the Apes") and Moses/Akhenaton, ("The Ten Commandments", see previous post for details) receives water from Jesus and witnesses his crucifixion. "The time traveling astronaut Akhenaton witnesses his family descendant and heir to the throne of the Hyksos nation Jesus Christ being crucified."

In the book, "Eden in Egypt," by Ralph Ellis, he speculates that Adam and Eve are originally based on Akhenaton and Nefertiti and that the garden of Eden was located in Egypt (if not Egypt itself!) . This revelation doesn't seem like much of a stretch to me when considering that we have already learned, I believe pretty conclusively, that the Exodus narrative was a dynastic Pharaoh drama. Then why not its predecessor, Genesis? Jordan Maxwell has already pointed out the fact that the word Genesis is related to Isis (Gen(Isis).

Can we find pop culture references, like we have with Jesus and Moses, with interesting synchro-mystic relevance involving Adam and Eve that would be relevant to this investigation? Well...

In "The Simpson's" episode, "Bible Stories," (above) Homer and Marge spoof the classic Eden (Egypt) yarn as Adam and Eve. The weirdly reoccurring (a strange attractor of mystic relevance) "Tree House of Horror 3," sees Marge dressed up as an Egyptian queen and Lisa as Liberty/Isis.

See previous posts for more "Simpsons" syncs:

This amazingly significant episode has Homer as King Kong, whom I have connected to Hermes/Nimrod and Bart's (dressed as Alex from "A Clockwork Orange") book of Magick.
Bart wears the album Thriller on his head like a hat, which is inspired by a photo of Aleister Crowley wearing a funny hat.

Wikipedia says Bart’s Michael Jackson hat in this episode is modeled after Aleister Crowley's funny hat. Admittedly I don’t see the resemblance, but there you go...

Homer has lampooned Charlton Heston in the episode, "Deep Space Homer," and "Tree House of Horror 8," in the "Homega Man" segment ("Omega Man" spoof). He eats "Soylent Green" in a futuristick episode.

Homer is no stranger to stargates.

In "Tree house of Horror 4" (goes to hell through vortex), "5" (time travel), "6" (through a gateway and becomes 3-D) and "13," (again time travel) etc.

So we have Marge (Eve) connected to Egypt and Homer (Adam) connected to Pyramids, (see next post shortly) stargates and Charlton Heston (Akhenaton).
The Pyramids will be the central focus of investigation in my next post arriving in a day or two... Please stay tuned, I am very excited about the new information I will get into and the new revelations and connections concerning pyramids and 9/11. This post is laying some much needed groundwork for the next.

In previous posts I have shown how the new Oliver Stone, "World Trade Centre," movie poster has the three pillars of the Cabalistic tree of life encoded in the Twin Tower image.

This poster lead to the discovery of the same three pillars in the windows behind Jesus in, "The Last Supper" painting by da Vinci. In both images the middle pillar is highlighted by light. In the WTC poster actual bright light and in "The Last Supper," Jesus, a.k.a. the light, was shown to be a veiled pyramid with his head and ajna chakra forming the apex of the pyramid. Crazy cool then when we watch the film and see Jesus (the last Pharaoh of Egypt) in one of the trapped firefighter's vision underneath the wreckage of the buildings.

Homer, the Greek poet, has been making many blips on my synchromystic radar. He shares his name with the already mentioned father of the Simpson family and the events of the Trojan War keep drawing attention on this blog. To strengthen the connection between the poet and "The Simpsons" we should note that many episodes of the show make reference to the Homeric legends. One episode features Homer as Odysseus (The hero of Homer's epic poem, "The Odyssey") in the segment "D'oh, Brother Where Art Thou?" (This title becomes more relevant in a second.) Another is called "Lemon of Troy," and an earlier episode from season 1 is called "Homer's Odyssey". "O Brother, Where Art Thou?" is a Cohen brothers movie that is loosely based on "The Odyssey."

Jesus from "The Big Lebowski."

John Turturro can be viewed in another Cohen movie, "The Big Lebowski," as Jesus the bowler. This movie stars the Starman and Grail seeker, Jeff Bridges. Remember him from "The Fisher King" discussed earlier? One more Homer sync occurred to me while researching "X-men" (that's what I get away with calling watching superhero movies, "Star-Trek" and "Simpsons" since starting this blog) is that Hugh Jackman not only fights Magneto on the giant New York Isis but also Sabertooth.

Notice how we can see the WTC in this shot.

Sabertooth is played by Tyler Man, who can also be seen as Ajax in the film "Troy," which is based on the "Iliad". So we see Hugh Jackman (a stargate veteran having jumped the vortex in "Kate and Leopold" and "The Prestige") and Ajax, the great grandson of Zeus, fighting on the head of Isis. Amazing...

Da Vinci magickly rears his head again, connected to the astonishingly recurrent John Rhys-Davies. Davies is just wonderful when it comes to mystical coincidence of esoteric nature. He is seen in the "Lord of the Rings" films as a ring protector and he helps Indiana Jones find the Arc and the Holy Grail. When not engaged in this kind of activity, he is seen jumping through stargates on "Sliders". Mr. Davies becomes relevent to this particular investigation when we learn that he has played da Vinci on the holodeck of the starship Voyager in "Star Trek." More Davies Syncs:

"Indiana Jones and the Last Crusade," like "Da Vinci Code," "The Fisher King," and "Monty Python and the Holy Grail," is a pivotal movie to mention when investigating the Holy Grail's pop synchro-web. Each of these movies have the Grail as central motif. My attention in this heavily Knights Templar resonating film is directed towards Sean Connery as he is highlighted by virtue of being the only character to actually drink from the real Grail. Connery causes quite a few esoteric ripples in the sync-ocean when we look at his long and successful film career. Extremely relevant roles stand out at first glance. Connery was a Freemason in "The Man Who Would Be King," a classic 007 (John Dee) empirical (Baconian) Franciscan Friar (searching for sacred texts all resonating heavily with Rosicrucian ideals) in "The Name of the Rose," and finally playing King Agamemnon (commander-in-chief of the Greeks in the Trojan War) in the already mentioned stargate movie, "Time Bandits."

Of the composite non-linear film character this investigation creates we could say: "The Freemason and alchemical occultist who travels through stargates and is intimately connected with the heritage and lineage of the gods." He also did the voice of a giant dragon in "Dragonheart". Dragons might connect him with the serpent and reptile alien themes and their possible home in the stars at Draco. Michael Tsarion has speculated that Draco is the home of the original Atlantean aliens. Incidentally, Draco is also the name of the dragon Connery plays in the film...

The disaster movie "Meteor's" poster shows the Twin Towers top parts being destroyed much like the 9/11 event. This is another Sean Connery film!

With the connections made above I feel confident that, at least within the context of the theory that one can glean knowledge from synchronicity, there is much reason to suspect Jesus, the Holy Grail and some kind of esoteric and occult activity at play in the theatre of consensus reality. This theme seems to resonate with alien contact and stargate technology somehow involving 9/11. My preferred method of interpreting this extraterrestrial-flavored 9/11 synchro-web generated by looking at Jesus and the Grail in pop-culture uses a metaphysically and spiritually oriented view. I see the concepts of Jesus and the Grail through my current belief system as sacred and secret knowledge, passed down through the occult network of the secret societies or intuited by sensitive mystics around the globe. This esoteric knowledge involves the activation of forces that can help facilitate the contact or stargate scenario. These two words, stargate and contact, I believe, are physical or material metaphors, interchangeable with metaphysical or spiritual cosmic consciousness experience. It is possible that the 9/11 event might have been designed by occult forces (possibly guided or channeled by secret societies) to interact with a mega-ritual to facilitate a contact scenario or the opening of a stargate. Again, I repeat that these words, contact and stargate, should be considered as interchangeable with certain higher states of consciousness and/or Illumination.

(WTC Pyramid: Part 2, coming soon...)